Cozyguju

If I Lived in “My Uncle” film – creation inspiration

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by

J.J
in

The film “My Uncle”, my uncle aesthetic inspiration—the quiet humor, the soft absurdity, the gentle rhythm of Jacques Tati’s world—this is my small leather‑craft interpretation of living inside that film.

If I really lived inside the old film My Uncle, I think I’d walk around the neighborhood carrying tiny leather goods just to say hi to everyone… and maybe sit down for a slow, slightly awkward afternoon tea with them.

I rewatched the film recently, and that whole atmosphere stayed with me—the slow rhythm, the quirky corners, the slightly absurd but very tender world. There’s something about the Jacques Tati aesthetic that makes me want to create tiny objects without even thinking. Whenever a movie touches me like that, I end up doing film-inspired crafts almost automatically.

So I picked up my leather tools and started cutting. While shaping the pieces, my mind drifted back into the film. I started imagining:

If I actually lived inside “My Uncle,” what kind of character would I be? Would I blend in the way Monsieur Hulot does—gently, awkwardly, but perfectly?


My Uncle Aesthetic: Three Whimsical Objects That Became Leather Charms


Three little inspirations—tiny leather versions of the moments and characters that stayed with me from the film.

1. Hulot’s Soft Hat

The first thing I made was a tiny leather version of Monsieur Hulot’s soft, slightly floppy hat. In my head, I’m walking beside him through the neighborhood—both of us a little awkward, both pretending we’re not lost. He’d glance at my charm, give that gentle half‑smile of his, and keep walking as if the hat had always belonged in his world.

2. The Pretentious Lady’s Silhouette

The most fun one was the silhouette of that overly elegant lady—the one who walks like she’s floating above everyone else, even though she’s just visiting the modern house. I imagined turning her into a tiny leather charm, a little exaggerated, a little dramatic. If she saw it, she’d probably lift her chin, adjust her hat, and pretend she wasn’t secretly delighted.

3. That Adorable Dachshund

I also made a little dachshund leather tag. In the film, the dog always seemed so calm and dignified among all the chaos—trotting through the neighborhood like a tiny philosopher. If he saw my charm, I think he’d give a slow blink of approval before continuing his important dog business.


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What It Feels Like to Live Inside “My Uncle”

There’s something strangely comforting about Jacques Tati’s world—the way objects misbehave softly, the way sunlight lands on a balcony like it has a personality, the way silence becomes a kind of gentle humor.

But what I love most is the contrast. Monsieur Hulot lives in a neighborhood where everything is slightly crooked but full of heart. People shout greetings from windows, kids run freely, dogs wander like they’re part of the community. Nothing matches, nothing is sleek, but everything feels alive.

Just a short walk away, his sister’s modern house sits like a showroom—cold tiles, strange buttons, a fountain that turns on only to impress guests, and a kitchen that looks futuristic but somehow makes daily life harder instead of easier. It’s beautiful in theory, but uncomfortable in practice.

That contrast makes Hulot’s world feel even more human. It’s messy, warm, and quietly humorous—the kind of place where small objects have personalities and imperfections feel like home.

If I really lived inside that film, I think my days would be filled with tiny rituals: polishing a leather charm shaped like Monsieur Hulot’s hat, arranging flowers that lean a little too dramatically, or brewing tea in a pot that whistles slightly off‑key. Nothing is perfect, but everything is quietly alive.



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